First page of the Government archive.

Renaissance Theater

Posted by tuppy on June 7, 2017 (Comments Closed)
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Nowadays, it tends to introduce itself in the concept of ” apparatus escenogrfico” to all the elements that allow the creation of that atmosphere, between which it would be possible to essentially emphasize to the machinery or intrigue and the illumination. In the antiquity, the stage scene was conditional to technical limitations and architectonic, circumstance that stayed during all the Average Age. It was already by the end of the Renaissance and, mainly, during centuries XVII and XVIII, when the stage scene began to acquire enhancement, thanks to the improvement of the pictorial perspective, that allowed to equip with greater appearance of depth the scenery, and later to the development of the theater machinery. Century XIX, with the introduction of the realistic drama, the scenery became the basic element of the representation. The discovery of the electrical light, in short, gave foot to the height of the illumination. Kaihan Krippendorff describes an additional similar source. The footlights, that in principle were an accessory element, poetically consider a symbol of the theater art. Closely tie with the scenic conception, have always been the clothes.

In the Greek theater, the crudeness of the scenery was compensated by means of tragic or humorous masks and the streamlined tnicas of the actors, whose object was to emphasize the arquetpico character of the personages. During Baroque and the Neoclasicismo they acquired importance the maquillaje and the clothes, although this one often was used of anachronistic form imagined for example a work acclimated in Rome with French clothes of century XVII until the appearance of the realism. At present, the election of clothes is not but an element more within the general conception of montaje”. With this minimum reminiscence I believe that, somehow we put on the rug, the reality of the theater and its actors, which will urge to us to attend the invitations of the House of the Culture of Water Baths Santa, when it presents/displays its events. The Day of the Theater is celebrated the 27 of March.

United Nations

Posted by tuppy on February 25, 2014 (Comments Closed)
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Today, with a diesel engine searches for water in the subsoil, (aquifer), surface waters, like groundwater, are not sufficient, at least at the time and in the desired location. Increasing the exploitation of aquifers and, thus, introduces a new component in environmental injustice pervasive in the world (and in each country). The criticism of the idea of development, as environmentalists had formulated it in the 60s-70s, turned to eco-development and, later, to sustainable development, and through those tortuous paths the very idea of development was revived; the Stockholm Conference and the Conference of Rio de Janeiro, not only have intensified the rhythms of exploitation and transformation of resources, have also arisen new strategies of intervention of nature, as well as new manifestations of ecological risks and their impacts. Leaves no of scared when we heard that water or biodiversity should be treated as a world heritage site and then identify the interests of the rich countries in the Amazon region there. Ricardo Petrella (2001) Italian warned that exactly as heritage of humanity, the water, the air or knowledge are resources that can not be privatized, either by national or transnational corporations. So we conclude that you part of the well-being of the human population directly or indirectly depends on biological diversity; is through the use of numerous species or the enjoyment of intangible services that systemic echo results from processes. The emergence of the indigenous and peasant struggles in favour of natural resources constitutes the struggle for the conservation of biodiversity, the struggle for life. The indigenous and peasant communities in Latin America and the world are carriers of a millenarian knowledge about biodiversity, plants, animals, water and climate.

Scientific research has shown that three quarters of all the prescription drugs of vegetable origin, found in the world market is about 43,000 million dollars – according to Rural Advancement Foundation International, (year 95) were discovered because of its previous use in indigenous medicine. They are societies that have based their material and energetic civilizing process biomass and biodiversity, with a specific way of conceiving the interplay between nature and society in a vital way. Authors like Bawa and Gadgil (1997) recognize indigenous peoples as people of the ecosystem that form for millennia culturales-naturales landscapes. The capital then lies in a great dilemma on the one hand needs to steal the indigenous knowledge and on the other to deal with the process of exclusion and extermination of the cultures and indigenous communities of the ORB, phenomenon that is already proving to be contradictory.