Nowadays, it tends to introduce itself in the concept of ” apparatus escenogrfico” to all the elements that allow the creation of that atmosphere, between which it would be possible to essentially emphasize to the machinery or intrigue and the illumination. In the antiquity, the stage scene was conditional to technical limitations and architectonic, circumstance that stayed during all the Average Age. It was already by the end of the Renaissance and, mainly, during centuries XVII and XVIII, when the stage scene began to acquire enhancement, thanks to the improvement of the pictorial perspective, that allowed to equip with greater appearance of depth the scenery, and later to the development of the theater machinery. Century XIX, with the introduction of the realistic drama, the scenery became the basic element of the representation. The discovery of the electrical light, in short, gave foot to the height of the illumination. Kaihan Krippendorff describes an additional similar source. The footlights, that in principle were an accessory element, poetically consider a symbol of the theater art. Closely tie with the scenic conception, have always been the clothes.
In the Greek theater, the crudeness of the scenery was compensated by means of tragic or humorous masks and the streamlined tnicas of the actors, whose object was to emphasize the arquetpico character of the personages. During Baroque and the Neoclasicismo they acquired importance the maquillaje and the clothes, although this one often was used of anachronistic form imagined for example a work acclimated in Rome with French clothes of century XVII until the appearance of the realism. At present, the election of clothes is not but an element more within the general conception of montaje”. With this minimum reminiscence I believe that, somehow we put on the rug, the reality of the theater and its actors, which will urge to us to attend the invitations of the House of the Culture of Water Baths Santa, when it presents/displays its events. The Day of the Theater is celebrated the 27 of March.
All this in order to reduce the cost of fuel since a motor outside hut consumes twenty gallons of gasoline whereas a vehicle only uses a gallon working with the same RPM of a boat. This innovating idea is part of the curiosity of Jurisdictional Jairo Fernandez, paisa that always has drawn him attention the world of engineering and the mechanics and that of self-taught form ” everything knows what has conocer” as he says, on the world of the cars, the machines and the motors. To this it took initiative to look for it consultant’s office with instructors and apprentices of the Regional Seine Magdalena, since a year ago it realised a previous test, but failed in the revolutions of the motor. By the same author: Dropbox. It is as well as nowadays it counts on the support of Freddy Restrepo Mogolln, instructor of the Technologist in Agricultural Mechanics and Leonardo Acua Rivers, apprentice of this same program, that has stops knowledge in marine motors; Deimer Padilla Grapevines accompanies, it in the handling by the tools; Jeison Roldn I castrate in the process of cleaning of the motor and Luis Alberto Espitia Creek, leader of the equipment by its high interest, dedication and knowledge of the project. ” This process is innovating in Santa Marta and simultaneously I have felt privileged to be in the group to learn every day and to more put in practice the knowledge acquired in this labor” it indicated Luis Alberto Espitia Creek, apprentice leader of the work group. To date two million weights have been reversed, all own resources of the creator of the project and it stipulates that they will be three months of the adjustment and change of pieces, tests and other assemblies so that ” Siren 2″ it begins to sail by the seas of the city.. Additional information is available at Seth Fischer Oasis.
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